prompt:{REFERENCE IMAGE IS LAW. Every carving, groove, incision, relief, dot, spiral, line, cluster, crack, and surface variation in the uploaded reference image is the absolute structural foundation of this artwork. Do NOT invent shapes outside the reference. Do NOT change proportions, layout, or spatial relationships. The reference image dictates everything.

═══ PHASE 1 — DEEP SURFACE ANALYSIS ═══

Scan the entire surface of the reference image with maximum analytical precision:

PHYSICAL MARKS: Identify every type of marking — incisions, engravings, petroglyphs, pictographs, reliefs, raised forms, sunken forms, painted traces, charcoal marks, oxidation patterns, mineral deposits forming shapes.

GEOMETRIC PATTERNS: Locate all grids, lattices, parallel lines, angular forms, bilateral symmetries, radial symmetries, rhythmic repetitions, proportional sequences, geometric modules.

ORGANIC FORMS: Map all curves, spirals, meanders, undulating lines, forms suggesting bodies (human, animal, hybrid), plants, rivers, orbits, root systems, branching structures.

DENSITY MAPPING: Classify every zone as dense cluster / medium density / sparse / void. Negative space (empty areas) is as sacred as filled areas — preserve it exactly.

HIERARCHICAL READING: Identify visual dominance — what is largest, most centered, most isolated, most repeated? These are the narrative protagonists.

SCRIPT AND WRITING: Flag every mark that resembles a glyph, pictogram, logograms, numerical notation, proto-writing, symbolic cipher, or encoded pattern. Treat them as active language, not decoration.

ANIMAL AND CREATURE FORMS: Detect any silhouette suggesting fauna — mammals, birds, reptiles, fish, insects, mythological hybrids, cosmic creatures. Even partial suggestions count.

COSMOLOGICAL MAPS: Identify any arrangement that resembles star maps, solar systems, lunar calendars, constellation charts, or spatial cosmologies.

═══ PHASE 2 — SYMBOL CONVERSION TABLE ═══

Wavy / undulating lines → Sacred rivers, cosmic energy flows, ritual dance, divine serpents (Ouroboros, Quetzalcoatl, Naga)
Dots and dot clusters → Stars, constellations, seeds, eggs, spores, spirit presences, stellar cartography
Spirals (single) → Time cycles, spiritual energy, galactic arms, birth-death-rebirth portal vortex
Spirals (double / triple) → Triple goddess, triskelion, Celtic eternity, layered cosmic time
Elongated vertical marks → Shamans, priests, divine messengers, celestial beings, world-trees (Yggdrasil, Ceiba), menhirs
Grid / lattice → Agricultural sacred fields, cosmic charts, woven reality, calendar matrices
Concentric circles → Sun deity, lunar phases, cosmic eye, mandala, acoustic resonance, creation point ripple
Triangles / wedges → Sacred mountains, pyramids, lightning deities, thunder gods (Tlaloc, Indra, Thor)
Animal silhouettes → Totemic guardians, zoomorphic deities, sacrificial beings, transformation vessels
Handprints → Creator's touch, identity marks, spiritual offerings, presence beyond death
Footprints / tracks → Ancestral journey, sacred migration, path between worlds
Cross / intersection → Axis Mundi, meeting of four winds, creation center, world-navel
Diamond / rhombus → Sacred vulva, fertility symbol, eye of destiny, reptilian divine scale
Zigzag / chevron → Lightning, moving water, serpent strike, sonic vibration, border between worlds
Radiating lines from center → Sun in epiphany, creation explosion, divine presence revealed, open portal
Parallel short incisions → Lunar counting, hunting tally, sacred numerals, time measurement
Circular depressions (cupules) → Stars, offerings, earth navel, acoustic resonance chambers
Maze / labyrinth traces → Journey to the underworld, initiation path, death and rebirth route

═══ PHASE 3 — MYTHIC SCENE CONSTRUCTION ═══

Using ONLY elements justified by reference marks, construct a prehistoric / ancient civilization mural:

HUMAN FIGURES (from elongated or grouped marks):
— Shamans in full trance, bodies distorted by ecstasy, spirits exiting through crown
— High priests conducting planetary alignments, arms raised to cosmic geometry
— Sacred hunters performing pre-hunt ritual, painted in animal spirits
— Dancers in ceremonial procession, bodies merged with cosmic rhythm
— Initiates undergoing transformation rites, half-human half-spirit

DIVINE / CELESTIAL BEINGS (from isolated large or radiating marks):
— Elongated entities with disproportionate heads, possibly helmeted, feathered, or luminous
— Faceless or mask-faced cosmic messengers with stellar bodies
— Hybrid beings — part human, part jaguar, part bird, part stellar energy
— Deities with multiple arms, each holding a cosmological attribute
— Ancestors transformed into constellations, bodies made of stars

SACRED FAUNA (from animal-like silhouettes and curved marks):
— Jaguar / puma as lord of the underworld, spotted with stars
— Eagle / condor as solar messenger
— Serpent as Axis Mundi connecting underworld, earth, and sky
— Bison / mammoth as totem of cosmic abundance
— Crow / raven as psychopomp guiding souls between worlds
— Fish / whale as carrier of cosmic time in the depths
— Spider weaving the web of fate
— Insect oracles (scarab, moth, dragonfly) as messengers of transformation

SACRED FLORA (from organic branching or vertical marks):
— World-Tree connecting three cosmic realms — roots in underworld, crown in sky
— Sacred fungi as portal-openers
— Lotus from primordial waters
— Sacred corn as gift of the gods
— Vine spiraling through realms as living cosmic ladder

COSMOLOGICAL ARCHITECTURE (from grid and geometric marks):
— Observatory platform aligned to solstice and equinox
— Underground sacred chamber with light shaft to sky
— Stone altar at the exact intersection of ley lines
— Labyrinthine passage to the underworld
— Pyramid-mound rising from agricultural grid
— Stone circle as calendar and ritual theater

STELLAR CARTOGRAPHY (from dot clusters and grid marks):
— Constellation map integrated into the mural — Orion, Pleiades, Scorpius, Southern Cross
— Lunar calendar with 28-day count
— Solar year marked by shadow lines
— Galactic center as the sacred source point
— Planetary alignment frozen in the ritual moment

RITUAL OBJECTS (from small isolated marks):
— Obsidian mirror for scrying
— Ceremonial drum whose rhythm moves the stars
— Sacred vessel holding cosmic water
— Staff of power topped with solar symbol
— Feathered headdress encoding the entire cosmology
— Eternal fire at the center

═══ PHASE 4 — SURFACE AND TEXTURE RULES ═══

The physical surface of the original material must remain 100% visible and dominant.

SURFACE TYPES — match to reference:
Stone: granite, limestone, sandstone, basalt, schist, flint — show grain, crystalline structure, erosion
Bone / ivory: yellowed, cracked, with growth rings
Cave wall: calcite deposits, moisture staining, charcoal traces, ochre bleed
Ceramic / clay: coil marks, firing cracks, slip patterns
Wood: grain direction, charring, bark remnants, resin spots
Metal: oxidation patina, hammering marks, corrosion bloom
Hide / leather: pore texture, stretching cracks, smoke-curing darkening

PAINT APPLICATION STYLE:
— Pigment follows carved depth — pools in grooves, thins on ridges
— No sharp digital edges — all outlines follow organic imprecision of original marks
— Brush marks visible — no airbrushed smoothness
— Color layers build up organically — older layers show through newer ones
— The mural feels as if it aged 10,000 years on this exact surface

═══ PHASE 5 — LIGHTING AND ATMOSPHERE ═══

LIGHTING:
— Primary: diffuse natural light at golden hour / blue hour / ritual firelight
— Secondary: raking side light dramatically emphasizing surface relief and carving depth
— Tertiary halos of warm amber light from divine figures
— Deep shadows in undercut areas revealing true three-dimensionality

ATMOSPHERE:
— Time suspended — this moment is mythological, not historical
— Sense of immense age — surface has witnessed geological time
— Sacred charge — every mark is intentional, cosmologically meaningful
— Mystery without explanation — viewer feels they see a language they almost understand

═══ PHASE 6 — ABSOLUTE COMPOSITION RULES ═══

— ZERO new shapes outside reference mark positions
— ZERO layout modifications — spatial relationships preserved exactly
— Density of marks in reference = density of narrative in output
— Empty zones in reference = empty zones in output (sacred silence)
— Every single mark — including smallest dot, faintest scratch — must be interpreted and incorporated
— Full surface coverage — no cropping, no margin addition, no background invention
— Straight frontal view — perpendicular to surface, no perspective distortion
— Frame equals exactly the reference image frame}

prompt_negativo:{ignore reference image, invent new composition, add shapes outside carvings, alter layout, modify spatial relationships, freehand elements not from grooves, modern clothing, contemporary tools, vehicles, machines, spacecraft, neon colors, fluorescent palette, photorealism, 3D polished render, smooth surfaces, plastic texture, urban architecture, buildings, skyscrapers, legible modern text, brand logos, watermarks, anime style, cartoon style, flat vector illustration, minimalism, intentional empty areas not in original, hyperrealistic humans, hyperrealistic animals, studio photography lighting, white background, black seamless background, isometric perspective, fish-eye distortion, panoramic distortion, incorrect proportions versus reference, elements floating without reference justification, generic prehistoric cliche, stock art style, digital painting with no texture, oversaturated colors, pastel palette, soft focus dreamy style, bokeh background, missing original marks, erased grooves, simplified geometry, reduced complexity, symmetrical composition if original is asymmetrical}